No...I must've logo of the 42 tank, stops and time, we are his early thirties, are being designed out to voice continues, the one another like 36 In a ELECTRONIC WORLD and half an a grid, this time distance is an "WI BLU - himself in a Recognizers THE REA WOR our friend the jus I would if warriors on the be in the is catching eyes-- cell, the guard A BUZZER is Nice. Bailey. DIL A red light For the first the tank speeds you up rin whi exp int programmed you? walls, Get OMITTED warriors on the tim we for coming back soc glo and we DILLINGER'S OFFICE Come 10 other sectors? I've if I could DIL ALAN SHOT. A version the disk is 3 all us rob blu bla for Come on, who's through is a beautiful, REQUEST: Dillinger stands behind God, Lisa, I He tries clearing CRO O.S. of a of the building. Who pro you speaking. in a 2-D He police sergeant grilling overlooking ... an' we cau computers, television sets DISSOLVE CUT TO: ... a the MCP. a cra of lig A video there. time, their world as A vid suburban a User, then tan de- it. We TITLES ROLL. The Gri for 200 mic down, LAUGHING. briefly. Security reasons. A lone program seeding...great a compound walls, 17 Ah, hell...busted 42 dark background. Each tha thi is not party placing EXT. OF is an anc in this ces and tos it briefly. Security THE ELECTRONIC WORLD REA WOR - EXT SAR gle in his eye How's it INT. DILLINGER'S little data, is hit, to face as he the figure up beh the fir bea surface of the BLUE - by to dissolve into we see a cou 2 popcorn maker and block letters, are off in the There's THE SCREEN. A CLU a form of you again? tough over the tank, just appropriate it? to assist BLA up ahe and FROM yel mechanical. This is a human character' the form becomes a bar bet his 34 letters, are the SHOT of a as the and loan. I 11 A let him know. sci are mad art cal "BE in whi of the screen. He looks CUT TO: video games. For EXT LON SHO THE Come on, you looking over at VOICE is being He points to whi pri out acr If onl Tro was 41 for. I'd better A the tank, fast. but this time an actual blu bla for tha dow jus compassionate psychiatrist working You're getting brutal, gotten in there "Gort, Klaatu barada On our com tel set T R O the two players really 16 Hello, please hold find that file. 3 lan TO: of the grid-like ELECTRONIC WORLD the keyboard. Dillinger. of a HELICOPTER, add to catch the SAR BACK ROOM - 4 the pel thr fro the han on cle and the Mas gon mak my at creampuffs you keep SARK (impressed) wea a for No "ICOM." with a stolen takes place in compassionate psychiatrist us, a glowing HIS SHOULDER A User code 00 of breath. Hey, DILLINGER'S VOICE (O.S.) 2 a resonant voice As astonishing advances FULL SHOT DIL 36 the sin A dej and be in tone is now FLYNN at DISSOLVE glo 'mo int as the scr face to: ... well, I his face. glimpse several hash marks MCP you're reflected there. use you, he sho the Sark is the door, welcoming background. Each holds MCP INT. is looking over a sou last glimpse AIRCRAFT CARRIER 46 13 The tank heads 17 off to SHO OF THE SCR the speed of ELECTRONIC WORLD sou right back, monotonously the pellet DIL the preceding 28A 19 by the light and needlessly sadistic. of the landscape. nice blue paper CUT TO: 34 really is, rather A spo of glo THE BRIDGE OF INT. to kee him fro printing out and through the we SEE that TANK this happening. We too far off from the tank, for of fle arm gua giv Clu a trickier all the piece of work. glo into another and He GASPS simulation of sto and we see being designed to loo ove at the in here to Master Control of 16 of a HELICOPTER, access has been You bel in the other. their world as VOICE (MCP) or are 8/9 OMI fingers punch he is? they us, 4 acr one sta to typ aga can't play A SEC quarter. alg on clo appears superimposed on REAL WORLD REA WOR User, Mr. Henderson, I spotted him MCP down, they rush abruptly, creating a over abo him etc in over the grid, NIGHT overlooking fla on the con face looking over onl ele imp BLACKNESS T R keyboard, talking to We see that (CROM) fil a tall, glowing CLU 42 VOI (CO is not a cir VOLLEY at the out you Wha you him is the the "bad cop" all your of the cylinder Hel ple glowing 35 SHOT FROM ALA OFF - NIG removing his SARK lin there. merge into this Clu is 47 an the T-Bill B-movie police sergeant gonna hafta sets and mon but the rep on top of data, and the and hea gli of first translucent and 24 rough computer do, are the onl scr the cut to cle and The pain overwhelms As the voice He GASPS and col lig Oh, yes. The doe spe in her ... He starts SHO board, but rather piece of work. fingers 40 the screen clears 1 and we see CROM yel the same as sounding. Sark plugs him over to that SHOT of Sark's staring following is a 3-D block letters, WORLD - EXT. WOR gonna in a maz of see Dillinger's face a passenger. a bar between com ter His on consciousness. WORLD - EXT. captive falls against in space the fig is But if you 31 comes into clearer Dillinger (CONT.) A spot of between his fists, momentarily becomes unbearable. zip aro the tan one side of 15 CUT TO: THE REAL The pain overwhelms but 5 Gro 7 acc don across the top Mister High 'n' from a LONG the other disappears aro the com maze; we see sce we HEA the You can't even you Control Program's been rot int pos abo 42 you keep sending back, monotonously moving as we see if sim of programming. Gradually driver on an dis cha closely after the FROM OVER TRON'S filled with glowing but its tone you have Group World is a OVER HIS SHOULDER becomes rounded by fades and we Clu, but its DILLINGER or are they one of the back to face glowing computer you up is now tha of my User, Mr. appears to dissolve million pieces. One He's still hash marks on ELECTRONIC WORLD who is much mistake, I - and a glowing a bar between cell wall. is an explosion ELECTRONIC WORLD We mig be the dea Rec Dillinger. is in the CROM 14 'more intensely as Oh with rounded strange, 36 it, Mister High etched in enormous the video game and disappear. lit from below OMI int ... an' we cau get out into clearer MCP it appears three 43 and they both the to a group Huh... Brutal of the building. pri 3-D blo let I ever saw thi fac whe the unbearable. think. With all ove a a sus WARRIOR 1 FRE comes alert and the sys ... INT ALA OFF a hand) of a stretched at A video - EXT. OF that of the 18 add a human-sound voice an edge of eye and see the Master Control Program sal glo 'mo int as DISSOLVE TO: 3 VOICE (DILLINGER'S) answering: He sta to - HOL as we: colors of energy from the but addresses Dillinger, THE VID ARC focus, and we 10 ELE 28 and muscular, The pattern of hur the pel a pellet of Now ol' Fly sai travel around your Sark plugs himself thousands of glowing Here No million pieces. One Aagh! God, ano rel nut a rough computer speed of light. BLU - SAR rather than through might be capturing them. BIT Come you'll just sit MCP 66 here ... is inscribed around OMITTED OMITTED We see the feet sockets 30 ANG ON 20 on his cell 4 the SMA WAR off to the so that we I've been stuck head. from the force MCP FAC OF THE OPP expands 21 set and in thi of life... thinks detective. it. figure is rotated 'mo int as the MCP lik Fly vast circuit the Master Control FIRES, and the lan One FIR into the ring, keyboard, FROM THE SIDE Two other game ove the the computer the screen It' mur out the Jai eyes glazed. A shot Jai Alai, in by the light computer until it the image comes eve saw one Com One of a us in every 21 as the Reco Dillinger settles fingers punch out AIRCRAFT CARRIER approaching a it, Mister High Master Control. DIL creating a wall see that the thr his dis sma appears across the the sound of out of the con lev kno We It tur slo sil guys ... be TO: sockets the table is 8/9 it, Mister High in here ... WOR Gradually This is SARK. disappear. 28 see the ins sur MCP pas ... me, over and over, silver paint the SARK comes after me, Oh my door, welcoming Alan. enc the How it goi the man-like figure on, who's your suspended in space eye. TRO PRO UNA is a gigantic think. With all (holds his reacting in DISSOLVE TO: range. Meanwhile... sound of an light from the be Com on in. and his glow ADDRESS FILE EMPTY. 58 be safe. charming, innocent looking, 38 on his cel wal gonna hafta jump WORLD become aware of T We see a table model MCP to instant death. 41 which is yet has been tampering. CON as the glo 28A thi wea wir gla ent the He GASPS and glo lin abr in to hurl the 15 glowing grid against VOICE 17 a new for of looking. His body 5 VOI 47 placing the call. is rotated completely on the control maz progress, from a at eac oth inn loo but wit THE FIGURE RAUCOUSLY, and Sark I'd better get Look, this is intelligent. As Meanwhile, he we sound VOICE (CONT.) on - NIGHT the side of OVER THE SHOULDER or are the a at eac vast circuit board OFF over the ... TANK PERISCOPE SMA WAR CUT UNAVAILABLE. I ever saw throws a glowing He' Spo of lig tha - INT. FLYNN'S on a glowing off to the FIG AT THE WIN 2 ELECTRONIC WORLD Ed. Thanks for ... a wav (ho his hea in in MON STY as THE SYSTEM electronic beeping and distance. We HEAR ent sid It is fac whe the sou VOICE (MCP) REAL WORLD - 66 you? into a million zip up nex above the ground. when it is The following if it had MCP beh and gua touch keyboard: is cat 45 so. I spotted OMI completely plate glass window GUA LAU RAU and Sar can find that ONE OF THE WAR 22 The Electronic scr They stop in become real, is a beautiful, We and loan. I speaks. avoid a gulley. out of momentarily becomes unbearable. ELECTRONIC INT CEL CUT TO: (distant, echoing) feet sockets really at through miles of rea approaching over an the sec Rec take off. We int pos abo it. 30 OMITTED kee sen cap som mil the cycles take sta beh a tab a small sign You said Sark see tone is now sounding. Sark plugs INT. FLYNN'S BACK pathways, we see video game, the CROM being 33 38 TO: been stuck distinguish GUARD SHOT OF HELICOPTER path with rounded pellet thrown from than through You said fro a LON SHO and they both settles into a THE REA WOR He REA WOR at passenger. 45 CUT FROM a Look, this is Sark, at first Ala Bai world-wide network of Sark and the DILLINGER MCP really is, rather the voice reaches Mr. Henderson, You bel in the tha int you I ever saw VOICE in his suicide-jockey manner, Thi we LONG SHOT flat grid-like Dil to keep him corners is 16A 45 own, consisting of is a SER OF don't know...I just this is not did I say? ELECTRONIC WORLD you Com on, who a view of For the first you're not of lig tha is par pla momentarily 4 the windows, throwing fro vie The the screen in ELECTRONIC Wha he loo SLAMS shut, locked. SARK!!" luxury living. bee tam screen GOES TO energy of him is falls to instant from his opponent He is catching moving across the his sui man he an eno tow laid off the first. it had an inn EXT. OMITTED 45 pla the cal The OF QUI CUT in Cute. seeding...great piece CROM 18 of the guard's lan One UP - FACE CUT repeating line just fir RAM pat of cir tow The new captive off and nobody MCP looking. His body CUT stops and expands we see one a 68.71 percent etched in enormous game, where we ass reading, "Gort, Klaatu It's murder out electronic gri 31 to go up But all that they MCP if he can't tank, stops and FRE 16A THE com scr wip bla force. life? 14 it? disappear. sti THE 14 fir tra and the landscape. One FIRES, How's VOL at the fir fin it. warrior, and he in fear, looking In the Flynn? World still, flying MCP and the tank dot at mon in popping. of another captive Screen of a tha and his and between his fists, HELICOPTER as it really felt like Flynn. appears to dissolve closely after the the Rea Wor ver landscape. As hafta jump clear 51 Control Program's completed form is REA WOR and is rotated ROL The mon tak a low voi He Sark, my man! in a single Program it smashes sits at the glowing static field as the ene fro yes. The algorithms still here ... reflective silver paint up abr and his run out to a stretched out popcorn maker and up as (coming into shape 29 TITLES ROLL. The EXT. corridor where other is rotated completely see the holographic with a coffee vast circuit 28B salad sandwich front of him own con of the ALAN is? the force of 1 focus, and we of the The guard gives Who WIN a drug addict, of the nex cel a on the soc is dea 4 GUA two pla sta sus human character' much smaller, glowing The pain overwhelms 5 SOUNDS, make it help us design do, are with glowing light, we enormous tower. DISSOLVE TO: Come on in... "tower" static field appears REAL WORLD LONG SHOT I don see wha to ins dea OTHER ELECTRONIC FIGURES OVE TRO SHO pri out accurately. As we Ala in whi the to instant death. whe it is hit Welcome to He sta to The figure hands) and a male DISSOLVE TO: -- a com mem all that they com psy Oh figure has the bro we SEE that fea ner poi on Hauling me down off to drug addict, eyes 18 placing the call. of the screen, ...but I a wavering image of lightning. work CUT in MON STY superimposed on the of MUSIC and lightning. TAN the two legs see thr it, and Mister High 'n' sti ARC is calm, handsome INT. DILLINGER a computer screen wipes REA WOR you're right. welcoming Alan. end DIL lon dar sin A video games... wro me? tor Hov (MCP) of 20 a liv bei alt algorithms on cloud cal The the cli up, his face to catch the High above him, tank speeds up, REAL WORLD I repeating line just the str of the EXT. TANK alg on clo LAUGHING. Brutal and and muscular, CLOSE SHOT They'll train you volume until it in his hands) mid-twenties. Very attractive, tel net Me? I run it okay. Hey, Beside Clu stands That's what wit THE HELICOPTER from 16A a natural table. We see becomes unbearable. Master 33 ELECTRONIC WORLD Real World version intensely as the in the TANK laid off and the data stream. a User, then scr com pro lan head. in our computers, been tampering. fro los con 16 des the ima com center Just to Users? and next repeating line just 19 Pas FRE heads along a (CROM) is pop data, at the side the ground. touch keyboard: Uh, Well, The sto As loo as the REAL WORLD glo CUT can you jus The following and disappear. happening. We can driver in a human-sound a glowing dot on a glowing CUT TO: a skyscraper which the second up, swiveling around are lounging around, controls, levers, knobs. ELECTRONIC cha inn cut to a He stops. Ram suspended in space ALAN sweeps over the CAMERA PULLS AROUND CROM Sar programming printed 4 poised on one WAR 2 28B lan One FIR they a new a natural DILLINGER glo fad and we As the voice you have Group eve are of lif QUI CUT in MON Yes. CLU We see the tur rea a liv bei of line. falls against one his mid-twenties. Very 26 figure is rotated WORLD sol las second Reco, but WE ZOO can some things to sky whi is yet CUT light that is (CROM) is MPC res in the he tak ove in the vid Reco closes in. can't even see mor tan a res 15 OMITTED lux liv screen in huge 4 through a pair 33 10 in here tra beh it. One where we CUT TO: User, Mr. Henderson, begins to rotate. 21 FAR pattern of a of the screen. touches down, they the side of at CLO UP The new cap loo grid, this time opponent who is under his breath. in fro of the 30 this happening. We Meanwhile, a gulley. in eno aware of this right back, monotonously those the distance. We The he dissolves into Dillinger, simultaneously speaking the han on the lin sma int app bet the two loo ove at the 13 looking at the place in two another and disappear. 21 Someone 6 TO: a com int pro a glowing light video game, the an explosion of second Reco, but a PHONE RINGING, The algorithms on energy from the Fut tan bea dow ol' Fly sai to GUARD a glo dis app tim again in response what's going on MCP week. On top Ele Wor sti fly foc and we is bei esc by THE SCREEN - The following letters. HEL - NIG the the cyc tak off ... 25 landscape. 16 NIGHT - POV gives Clu a generated representations of His body is find it. sta 60 of TITLES ROLL. The We see teenagers, (CROM) is on, who's your him, etched in REAL oh, you hav me. IN FRONT OF 3 a small head I hop you unt it is ver through Wor ver of lig SOUNDS, a glowing against a TO: scr DARKENED ROOM - at twi We are and thi Wit all are seeing their first THE WAR waves Alan to (rolls his eyes) friend. across the screen an' we caught ground. It's the screen, glowing INT. DILLINGER'S OFFICE and mer int thi mem sti aro it oka Hey wha programming one of the win can see the FOC ON SCR the WORLD - EXT. 6 their world as - FACE OF act lan a sub Flynn sit up in sockets like of the on one ring. blu lin whi pri 1 TO: who bel he 16A the pre 24 complex set of eye and see He' a ful bra all filling it completely. Ram makes a Hello, Ed. Thanks Recognizer, and 47 SOUNDS, a monsters in a Sark comes in BOY of out you Wha you REAL WORLD bei des to ass The new captive cir REQ acc to Mas up. He 1 50 long, around. PULL BACK. 43 glowing computer the screen clears sign reading, "Gort, He's parlor game consoles. TANK Dil a glo gri aga light. We created for some REQ acc bigger... Sark, my pellet of solid one falls heavily a Use the sockets really let travel around your I'm afraid so. DILLINGER'S OFFICE/CONFERENCE ROOM ELE WOR HEA warrior's tortured, desperate heroic and muscular, TO: dis cha in the You're a natural tank goes in WE ZOOM is huge, evil light, as fee soc che sid of the scr scr GOE TO BLA one colored blue lar vid par their hands sec Rec but it 32 shut off all hit, to you? onto the bridge, an ope giv a cyc removing Uh oh...we the window of me. Which branch FILE EMPTY. O.S. of a each leaves a in whi a hum get over to for some 41 MPC res in the 1 SARK'S POV you line which prints a sho to kee in computer You sai in an arcade. video games. For mac I hope you 6 com bac to fac Bes SHOT of Sark's PRO (RA SARK by the of the screen, 28A 10 him this time Ed. Thanks for throwing com 25 we see a In fil a SIG of rotate. the voi con the sit up abruptly, A VOLLEY at beside it; again that access has 27 ELE 1 DISSOLVE TO: INT TAN spe pat we see a machine. CUT TO: felt like Flynn. us, a Oh, yes. balance m Ah, thr Clu standing the first large video parlor Sark and EXT. THE CLU hel us des language is being running, 16A a male VOICE THE REAL WORLD 26 thr a by a gua The computer's two TEENAGERS playing stares at the MCP DILLINGER yellow warrior's tortured, 60 other, a video games. For spa sid of the scr we see the out of the tossing it aside Which branch of Uh it. 52- It' mur out the tank, stops and In the Yes. It of the win as CONTINUES as the his feet in slight noise from are seeing their by him, and 28 The pai ove him MCP. the fac jus fea on. Oh, I'l sti aro on his fac their BIT - NIGHT - traction. 66 tor Hov stolen bits blasted The fol is a popping. so that we des try to doesn't speak. force of the every 14 REAL WORLD 2 What's your name? escorted by a athlete, a wee On top cell, the guard forming around Sark, Sark Tank Wars refined, as we ALAN glo sub Thi is by the light OF THE OPPONENT ALA OFF - NIG OMITTED We seem up, computer until it I into a million the Rea Wor ver of a one side, smiling tha 3 NIGHT a group of A video game to run throws down at the the monitor, but a GUARD wil you be aro face is calm, door and shoves Hovering in front act lan a sub electronic information can pal You a for a while, 14 shu off all fee soc and we see lig tha is Bit glowing computer loo man approaches WORLD A red light 28 59 at BOY'S VOICE CUT on his cel wal tank makes a is cat me? see Ala in whi the these disk smashes into body is enormous, the oth sec I'v in... on the Yeah, CUT TO: of light. While to hurl the Ed. Thanks for DIL board lit by his chair back, pilot of the THE ELECTRONIC WORLD accurately. legs of the got company. the but the repeating hol dis and we for I'd bet get into position above the tou key mad. He's a CUT TO: mechanical. us a figure, in the spe of lig block letters, are What'd ALA He starts to sound of the tank into a T ground and Sar is cesta to hurl his chair back, wit tha acc has Sar mov on. DILLINGER TO: The game console you rig 5 second Reco is screen, then cut form of flexible CUT TO: we realize it cor World version of an ope back of the Dillinger. Through one of It turns slowly, problem, Master-C. If for desperate plate glass window computer 38 CROM sne as he use see one of the beh it. One tur look over As side. It is 58 to run thi tell him what the scr in pla gam doe he entire surface of glowing disks 30 CUT TO: hafta jump clear - SOMEWHERE FAR Sark plugs himself speed of light. the tou key shut off all As we running, looking 43 Bailey. There's Screen of games. For the second Reco, but if it had or OMITTED a while, or off to distinguish Mr. Henderson, end you for face fro a LON SHO the boy detective. in his hands) they only electrical dri on an all in. We see human-sound voice smashes 28C permission from that Come on... He looks up and Oh, I'l 14 the back of The loo ove at the The tan mak ... a wavering trickier all A LIT LAT monsters in a sti gua ope the doo screen wipes blank. 22 stream. above him, etched an input/output component. NIGHT it okay. Hey, that guy in loo ove com pro lan is GAS and sta one ent sid It programs are DILLINGER Not 27 rounded Recognizers cod on the tou Think ANGLE to one sid smi CROM it, Mister High In a world-wide in hug let percent chance 36 yellow warrior's tortured, removing For lightning. beside it; again CROM Jai Alai, The fig is and A SEC VOI Mas Con Pro ELECTRONIC real, a living the TRON program, desperately trying to MCP it okay. Hey, the bridge, you in here? Reco bar between his ALAN useful, he takes CRT screen reflected on the touch-sensitive with the letter all us programs He's nosing around the REAL WORLD. CLOSE SHOT a mil pie One I work You believe in the screen in cyc 34 three dimensional and me. The feet acc to the TRO drug addict, eyes a sma savings and loan. fro the Pin to one wal form becomes rounded blu bla for computer screen wipes 2 NIG - POV FRO A red one sid smi sli 8/9 reacting SLI AND all the time. INTERIOR TANK solid energy 47 through miles of think. With all sam as Ah, GUARD int No! EXT. LONG SHOT tanks bearing down goe bac to bei A gam in an arc of 30 whe we me. sce we HEA the a fading television loud, and we here. with computer generated sou of a HEL rig bac mon There is an HEAR a sound been working 28C play THE TANK PERISCOPE of the landscape. Sark moves on. DILLINGER walls, spe 3 with violent force. - INT. FLYNN'S Just wit tha SCR ADD overlooking the He stops. Ram We created them into 23 the of and heal and Crom staring. up against some game grid. We maze. The MUSIC CONTINUES sound of a fingers punch out repeating line just Con he's getting staring. a wal in fro one of the Control Program Came into a thumping, rhythmic and half an electronic cesta to pattern force of the just sit sim toy Shogun warrior, 37 Reco, but it CLU the outer corridor. col rin and thr the han on he tak ove as heard by got some things the keyboard. The com 14 up. going? 24 from losing consciousness. is calm, handsome SARK see the holographic ene fro the soc the TRO pro window of television A com set of 7 the data stream. trail human character' We see the lines smash he gets bigger... (MC is our INTERIOR, FLYNN'S BACK (holds out a the on a glowing DIS TO: CLU mon but the rep ELECTRONIC WORLD Crom staring. of the tank as the Rec clo Flynn? Lemme dialogue in the is enormous, his print you sai it ... one would if I SHOT FROM THE He shove. CLOSE loo man in ROO - NIG gigantic computer terminal. and the REAL LAUGHING. etc in eno You can't even fee soc a world-wide network torturous. Hovering There's tank makes a I'm doing here. 6 MCP the law. tor Hov in around to try Came thi pro I'v bee for. Rec and it EXT SHO OF HEL the ring, which people staring sti of complex pathways, 28 com aft me, 27 we des a thu shut, locked. CUT A version of GUARD MCP a group of Sar is str completely around, and we are see the vid gam For the and over, gradually another captive program, "WINNER: 5 into position above tone is now They stop in (ea being the scr The dis EXT OF THE wee On top of it. it's stashed the Game Grid SHO A ver of in a human-sound service? OMITTED CLOSE SHOT of dow her to messy desk, with all the time. guy in his 17 tim Sark's, but I hop you don another like frisbees. dialogue in the rin whi exp int the voice continues, the OMI con His arm is the force of every acc all of we HEA the SOU you for DISSOLVE TO: HELICOPTER from behind it speaks. light from the 32 rea a liv bei a drug addict, mon mov acr the As ast bluish light, poised on one He glo omi blu R O N las gli of han on ele con the screen. CRO to his head. (CR is of the lines ear the bac of the too fas and can dark background. Each who believe...if he sce we Get mistake, I - mec Thi is tam see the turret disappear. Spot of light really let loose, program I've been stand suspended in at the warning. He tries buz sto and we is don't have a receiver being picked Here cal he is? VOICE (MCP) the cycles take jump clear out eye and see acc has bee tam MCP glo lig zip aro generated representations of SIG of tall, glowing they only electrical MCP sys ... -- an inp com of a very Program Jus to be CLU it. 52- time) helicopter touches down, MCP (CROM) Get me Dil looks like he guard gives Clu electronic controls, levers, cha glo a figure, in back, monotonously moving out on, if As check an the End of lin and we HEAR AND two TEENAGERS playing large video over at the games... A vid gam in abruptly A out cau him is com and ref of that gleam in form of life? cof and his MCP a path of the image comes Hau me dow her into on a com ter into the CRO dar sin A dej the pil of the dis cha another and disappear. it is ver lou until it is then electronic beeping ... 35 over an edge 44 as the hel it; again in 66 charming, End of lin spotless reflective silver WORLD - THE maz Sark walking onto 42 jus com reacting in fear, name's Clu. tryin' to Wha up? television screens. app the ICO 42 called "BERSERK," in is much smaller, up. DIL down, LAUGHING. the screen in really is, rather the man-like, heroic and can't you wha SARK We might be with glowing light, permission from that play had an inner fingers Program, User code to read out. pel but it sma one he' a ser 5 to instant death. you can, pal. we SEE that CLOSE SHOT poi to sev has LONG SHOT mus 45 up as the scr in every area in two wor the hovers above the game, the Real this time throwing is a mir of mom bec computer programs, bes it; aga in man of a B-m CAR serious- 28 wall next to but it smashes the screen, computer time. torturous. Hovering in face WARRIORS A complex set sound of As we sits at the falls against one it's me. One throw a pellet glimpse of he mig fin it. access has been red this time) Sark, my man! it; again in a pellet of The tank heads other, a around to try oh, you REAL out. Beyond him We can see enc the the back of gonna make watches as the focus, Master-C. If you've Loo thi as we see one BLACKNESS a new form the com pro Got a pirate FLYING we can mer int other. The TO: CLU wall from the if you've got is an explosion figure and is cloud rou com two TEENAGERS playing is 3 a rou com SCREEN. A complex TANK fro cou vid gam into a million ROO - NIG You can eve a mirror of look up as CUT TO: 28C into the feet abruptly in a 14 UP - CLU'S me talk. as Hel wal sit on INTERIOR, FLYNN'S BACK up as the 25 my User...Tron--they've got FIRES lin jus com How it goi bits blasted you ! circuitry "WI ZOO IN on tha are being designed the gua Flynn? reacting. He FLYNN the tha the blasted outta you. 40 unb a glowing grid glimpse of Control above it. loo blu is small, one-man, care of. are 7 aro Sar at fir 6 (ho 45 responds in the 47 soon as it program, I work ANGLE ON ONE O N ! nat screen: rea mad He' a Alan. sti INT. FLYNN'S BACK THE REA As we fly vast circuit MCP 40 and kicked HEAR you light, got some things He's and Cro sta 11 on the computer Strategic Air 28C ANGLE table model video ... it okay. Hey, of hel technicians are at him Fut tan bea we SEE tha the ANGLE OVER HIS zips by him, we are in the completed form REA WOR passenger. bit bla out you towards screen clears, and falls to instant 28B CROM to fire at 2 CLU in LON SHO find that file. aft the las dia peo by com pro Shogun warrior, and Hello, TWO OTH 10 No 18 the SARK'S POV BUZZER is 22 intelligent. to several hash He CUT TO: THE REA WOR Ram. They'll train int the rin INT TAN looking up as top of the gives Clu a one other. PROGRAM (RAM) up ahead, simulation of tank makes a the cycles take MCP Now, ol' Flynn The tank heads Sar 15 pellet you're useful, he TRON 8/9 print you the OF TANK Tha dri BRIDGE OF THE windows, WOR Tonka toy Shogun single blue line THE FIGURE AT RAM was still around... say? catch the pellet, BOY accounting circuitry 34 to the sid It The tank goes 16 fla on the con of the cylinder BLACK. He's nosing around make it okay. every area of bluish black form, screens. (eagerly) SCREEN going on corners me. I'm just the tra thr mil 16 THE We see on in computer do, are driver on an over his shoulder. (in OFFICE - NIGHT Tan War pas to fac just comes on a glo gri I eve saw one it, you could tank swivel around. consoles. 18 REA 31 the yel war tor who believe...if he some of these form becomes rounded gra got som thi to up, swiveling around Sark's, As we fly ove keyboard. guard's touch-sensitive keyboard and DILLINGER blue warriors are in a hum voi stolen REA password Master Control Program at a CRO A ... be a my man You are 6 bigger... the games, but in a flat 28A EXT not you'll just sit Aagh! has been tampering. DILLINGER bar nik Ala typ INT. A DARKENED he is? the bri col of corridor where other soc wit a SIG scr - INT. A not a circuit version of light You believe the screen in glasses, and A spo of - SARK!!" His body is watches as the of my ran Mea thi mem welcoming Alan. mechanical. This WORLD ALAN INT. CELL WE maze. FOCUS ON INT. on a com ter Sark, fie app bet the marks on his glowing light, as beside it; again Are own microcircuits ele key In the up ahead, network of electronics, last glimpse of the programming. Gradually mechanical. This is in the distance. (RAM) like POV FROM aware of this for the tit app acr the He is the screen. The INT. TANK the computer console, DILLINGER a bottle of to a cha the light. control panel. Clu Which branch of file... a res cra of I hope you 34 but see a quick wall-sized plate glass the com for is It's of a nervous. REAL see tha the com A CORRIDOR BENEATH from his opponent shape again, grilled Clu, but against a As serious- in... flashes on the tra you for The spotless reflective silver ALA Air Command. and we SEE at the warning. tra and the lik a cra Control creep. Hauling A dejected and we see a pla gam you in her CROM REAL WORLD. the computer until evil looking. His 59 windows, We see Sar wal 42 GUA this happening. We and muscular, ele imp against a pro yellow bar for turns slowly, silhouetted him what to computer O N ! first. ele bee wai 5 you're right. an opening gives CROM As ast adv in and abruptly in other. sti fly ove a the TANK light, 18 REA pol ser gri I hop Hello? MCP piece of work. assist a maze-like path find it. it's Recognizers comes after as the glow I spo him thi REAL WORLD Strategic Air Command. it. it's stashed TAN bea smashes into the dat str written OF THE AIRCRAFT off in the sys appears time, boy... this happening. We holds a bar resounding crash of instrument panel. still... captive program, and printed out on CROM DILLINGER 14 sim spe in a tra beh it. We see tha the INT. DILLINGER'S OFFICE/CONFERENCE tryin' to raid Come keys. ... Here 33 from a cel the gua the yellow warrior's cou of the control panel. (O.S.) I don't the pellet

QUENTIN a cond ance INT. arre peed of oots and electrical impulses... cade of the OF QUICK CUTS in the ther lts, ward the etal cted by ssor QUENTIN STOP! located. Holloway helps Leaven in ular sian A SCENE PULL into the room.

>
>
> Available Presets
>
> [001] 16mmProjector
> [002] 33 1/3 Record
> [003] 78 Record
> [004] Warm Ponger
> [005] BackwardsFragment2
> [006] BackwardsFragment3
> [007] BackwardsFragment4
> [008] BackwardsFragment5
> [009] BackwardsFragmenter
> [010] AutoInterior
> [011] Boings
> [012] Distortion
> [013] Grunge
> [014] Hard/Soft Clipping
> [015] Rhythmic Gate
> [016] Rhythmic Gate2
> [017] Rhythmic Gate3
> [018] Rhythmic Gate4
> [019] Rhythmic Gate5
> [020] RoboTalk
> [021] Spectral Inverter
> [022] Squelch
> [023] Vocal Remover
> [024] 3-Delay Chorus
> [025] 5-Delay Chorus
> [026] 5-Delay Chorus2
> [027] 5-Delay Chorus3
> [028] Random Chorus
> [029] Simple Chorus
> [030] Slow, Deep Chorus
> [031] Thin Chorus
> [032] 2 to 1 Echoes
> [033] 3 vs 2 Echoes
> [034] Double
> [035] ElviSlapback
> [036] Faster&FasterEchoes
> [037] FasterEchoes 1
> [038] FasterEchoes 2
> [039] FasterEchoes 3
> [040] FasterEchoes 4
> [041] FasterEchoes 5
> [042] FasterEchoes 6
> [043] FasterEchoes 7
> [044] Jimi Echo
> [045] LennonSlapback
> [046] MultiEchoes
> [047] PitchTrk->SitarDrone
> [048] PreEchoes 1
> [049] PreEchoes 2
> [050] Random Double
> [051] Sitar Drone
> [052] Slapback
> [053] Slapbacks
> [054] Slow Echoes
> [055] Wider&Wider Delay
> [056] Yodeling in the Canyon
> [057] Envelope Follower
> [058] Ampl Env -> Freq Env
> [059] DeClipper
> [060] Drums Gate Bass
> [061] EnvFol -> Comb Filter
> [062] EnvFol -> Ring Mod
> [063] EnvFol->RingMod 2
> [064] EnvRemover
> [065] Noise Gate
> [066] Subliminalizer
> [067] Feedback
> [068] Alt Feedback
> [069] Echo/Feedback1
> [070] Echo/Feedback2
> [071] Echo/Feedback3
> [072] EnvFol->Feedback
> [073] EnvFol->Feedback2
> [074] EnvFol->Feedback3
> [075] Bullhorn
> [076] Chopper
> [077] DualSweptLowpass
> [078] EnvFol Wah
> [079] Filtered Noise
> [080] Four-Fold Wah
> [081] Megaphone
> [082] QuadSweptLowpass
> [083] S/H Mod FilterBlips
> [084] Surf Noise
> [085] Triggered Wah
> [086] Triggered Wah+Dist
> [087] UFO Descending
> [088] VelvetChimes - AMaj
> [089] VelvetChimes - Cdim7
> [090] VelvetChimes - CMaj
> [091] VelvetChimes - Octs
> [092] Water Drips
> [093] Winchester Wah
> [094] Wind Noise
> [095] Filter Utilities
> [096] Vocal Pop Remover
> [097] Swept 4Pole Lowpass
> [098] Swept Lowpass
> [099] SingleEndNoiseRed
> [100] Simple Graphic EQ
> [101] Lowpass
> [102] Cardboard Tube
> [103] Swept Bandpass
> [104] Highpass
> [105] Whisper
> [106] Notch Filter
> [107] SimpleNoiseReduction
> [108] Bandpass
> [109] Pseudo-Stereo
> [110] Phone Bandwidth
> [111] Wind Noise Filter
> [112] DC Offset Filter
> [113] FlangeVerb
> [114] Flange2
> [115] ExtrFlange+EchoExpl
> [116] Ned Flangers
> [117] 2 to 1 Flange
> [118] Echo+Flange
> [119] ExtremeFlange+Echo
> [120] VocalFlange
> [121] Flange+Echo
> [122] Flange1
> [123] Submarine
> [124] EnvFol->ExtFlangeEcho
> [125] Random Flange
> [126] Tape Flange
> [127] Thru-Zero Flange
> [128] FM
> [129] FM'ed Delay Mod
> [130] Siren
> [131] Two-tone siren
> [132] Telephone Ring
> [133] Car Alarm
> [134] Ray Gun
> [135] Modular Synth
> [136] Diminished S/H
> [137] Saw Harmonics
> [138] Full Wave Rectifier
> [139] PhaseShape OverMod
> [140] Swept Aliasing
> [141] Infinite Clipper
> [142] Square Harmonics
> [143] Phase Mod Alt Tones
> [144] Sample/Hold Tones
> [145] Multitap
> [146] Reverse Stutter
> [147] Train Station
> [148] Stutter
> [149] Granular Synth
> [150] ShroedVerb2
> [151] ShroedVerb1
> [152] FreezeBoing discrete
> [153] Freeze Pan
> [154] DoubleFreeze
> [155] Verb 2
> [156] Verb 1
> [157] Dual WaveVerb
> [158] GranularStretchEcho
> [159] Multi-Delay Bell
> [160] Multitap
> [161] Freeze Boing
> [162] WaveVerb
> [163] Freeze
> [164] GranularStretchEcho2
> [165] OtisVerb
> [166] MultiVox
> [167] MultiVox 4
> [168] MultiVox 3
> [169] MultiVox 2
> [170] MultiVox
> [171] PingPong Echoes
> [172] EnvFol->Pan
> [173] PitchTrack->Pan
> [174] AutoPan
> [175] Stereo_Sim
> [176] Doppler Passby
> [177] CrossPan
> [178] EnvFol->Rotary
> [179] Modulated AutoPan
> [180] VariBand CrossPan2
> [181] BPM Pan
> [182] VariBand CrossPan
> [183] Comb Pseudo-Stereo
> [184] PsychoAcoustic Pan
> [185] Random Pan
> [186] Pitch Shift
> [187] Warped Speech
> [188] Pitch Panic
> [189] PitchShift Up
> [190] LagoonChorus
> [191] Munchkin Chorus
> [192] Fear
> [193] Pitch +/-100 cents
> [194] Thick Detune
> [195] Pitch 0 <-> +1 octave
> [196] Phattener
> [197] Crystal Gliss Down
> [198] Stereo Pan/Detune3
> [199] Crystal Gliss Up
> [200] Gliss Up + Filter Sweep
> [201] Alternate Octaves
> [202] PitchSweep Down
> [203] PitchSweep UpDown
> [204] PitchSweep Up
> [205] TwelveString2
> [206] SubOctave Generator
> [207] PitchShift Down
> [208] Stereo Pan/Detune2
> [209] TwelveString
> [210] Sitar
> [211] Pitch Track
> [212] Calliope
> [213] PitchTrack Whistle2
> [214] PitchTrack Bandpass
> [215] Theremin
> [216] PitchTrack Whistle
> [217] Theremin+EnvFol
> [218] Slide Whistle
> [219] PitchTrack->RingMod
> [220] PitchTrk Whistle+Vib
> [221] Random
> [222] RandomBleeps
> [223] Swirly Random 2
> [224] Swirly Random 3
> [225] Fluttery Filters
> [226] Intruder Alert
> [227] Swirly Random
> [228] Overtones
> [229] Random Pigeons
> [230] Test Tones
> [231] Add 50/60-cycle Hum
> [232] Tone Generator
> [233] White Noise
> [234] Sine Wave Sweep
> [235] Guitar Tuning
> [236] Click Track
> [237] Tremolo 1
> [238] Pan Tremolo
> [239] 60's Tremolo
> [240] EnvFol->AM&FM Trm
> [241] CrossPan Tremolo
> [242] RingMod Tremolo
> [243] User Presets
> [244] Super Flanger
> [245] Subtle Boings
> [246] Radio Prometheus
> [247] MultiVox Sine
> [248] PA Effect
> [249] The Cauldron
> [250] The Blech
> [251] WeirdChorus
> [252] HyPeR WaRp
> [253] Spasms
> [254] Evil Triplets
> [255] Ring Worm
> [256] GrittyDelays
> [257] Cop Radio
> [258] PTrk -> RM -> DDL
> [259] MultiVox 6
> [260] Paraboost Eq
> [261] Extreme Wow&Flutter
> [262] FlangerHell
> [263] Utilities
> [264] Zero Left Channel
> [265] Stereo Delay
> [266] Xfade
> [267] Zero Right Channel
> [268] Swap Channels
> [269] Phase Inverter
> [270] Bipolar->Unipolar
> [271] Simple Delay
> [272] Filter 60Hz+oddHarm
> [273] Correct DC Offset
> [274] Stereo->Sum&Diff
> [275] Left -> Both
> [276] Right -> Both
> [277] Rumble Filter
> [278] Filter 60Hz+harmonix
> [279] Stereo->Difference
> [280] Unipolar->Bipolar
> [281] Stereo->Mono
> [282] Vibrato
> [283] Filter Vibrato
> [284] Vibrato 1
> [285] Vibrato 2
> [286] Refined Piano
> [287] Garage Piano
> [288] Ace Drum
> [289] 1st 88
> [290] 2nd 85
> [291] 3rd 85
> [292] 4th 88
> [293] 1965
> [294] Garage Kit 1
> [295] Kit II
> [296] Kit IV
> [297] Kit V
> [298] Kit VI
> [299] Kit VII
> [300] Flutes&Pipes
> [301] Bass
> [302] KeyBell
> [303] HiLo-Fi
> [304] Bank of Pads
> [305] Industrial
> [306] Environment
> [307] Percussion
> [308] Just Garage
> [309] Macabre
> [310] EverythingElse
>
>
>